
There’s no doubt that the way a plate is presented can enhance the enjoyment of its food. Arranged with art, a meal can be turned into something special. And while arrangement doesn’t change the actual taste of the food, it gives us a chance to add aesthetic appreciation to our enjoyment of the taste. I had dinner with friends at the Maison de Marie, found down a little alleyway off Nice’s Pietonnerie, and close to the Place Massena.
I had the tomato and cheese starter. The tomatoes, nice tangy ones, came sliced and laid in a wide circle on a bed of virgin olive oil, topped by a neat circle of goat’s cheese in the middle and decorated with a single leaf of basil. It look good as well as being very tasty.

For my main course I ordered swordfish. It came, cooked beautifully rare, and resting on a bed of rosemary and clams. Accompanying it were a grilled tomato, a squash and a lemon, plus a loose rissole of cooked vegetables including mushrooms. The plate looked so elegant, as well as tasting absolutely delicious. Provence rosé was, as so often, the perfect accompaniment,
This Lindemans Cawarra was a pretty decent south-east Australian Semillon-Chardonnay blend, in that order. It was a decent 13.5% and had quite an excellent nose – difficult to distinguish from some of the better examples from the same region. There’s a very helpful label on the back with two sliders showing how dry or fruity it is and how light or full-bodied it is. Both are at about sixty percent towards the latter, which you might find a good guide, although personally I think it’s only useful if the indicator is at one of the extremes or bang in the middle. I prefer to describe the flavours. In this case, the body was only lightly oaked but had good buttery depth, and hints of melons and background oranges. The finish was dry and quick, but left a decent tang, making you want more. Give it a go near a warm fire one night, so as not to drink it too cold.




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